From I to Eye: Weaving Research Into Personal Narrative Writing
Expand the scope, audience and possibilities of your personal narrative with creative approaches to research.
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Making Time, Making Art: Navigating the Writer/Author Divide
Virtual Event
Balancing the pursuit of publication with time at the writing desk.
Finding Your Voice: Flex Who You Are & Enliven Your Prose
Virtual Event
Strong narrative voice creates engaging, memorable essays and memoirs–and elevates your writing to the next level.
Dark Truths: Five Tools for Crafting Compelling Mental Health Narratives
Virtual Event
Mental health stories speak to our darkest truths and teach us what it means to be human. Learn five craft tools for telling your own.
Personal/Political: The Delicate Art of Writing “Dangerous” Subjects
Virtual Event
Writing your political passions without descending into ranting, manifesto, or plain old punditry is a delicate art.
Crafting the Memoir in Pieces: Building a Coherent Book from Fragments
In writing a memoir in pieces or fragments, compression is just as important as elongation--and juxtapositions tell the story.
Mining Your Life for Laughs
Virtual Event
Tap into your unique perspective for humor only you can write.
Write Better, Right Now
Virtual Event
You’ve structured your narrative and know your facts--but how do you make your story sing?
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The Art of Applying: Finding Funding & Demystifying Guidelines
Virtual Event
Who couldn't use some extra time or money to start or finish a writing project? Come learn tips and tricks for your next funding application.
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Tell Me Something I Don’t Know: Using Facts to Fascinate
Virtual Event
Worried you'll bore readers by incorporating facts in your creative nonfiction? Make researched material work for you!
Speculative Memoir: Making Space for the Imagined and Unexplained
Virtual Event
Are you speculative-memoir-curious? Learn how speculative elements can enhance your work and welcome your imagination back home!
Showing v. Telling: Deconstructing the Situation & the Story
Virtual Event
Writers learn early on to "show, don't tell," but both are necessary. So, how much of each, and why?